MULTIPLE EXPOSURE
IN REAL TIME
2014 // TRIBECA [NYC]
Multiple Exposure in Real Time [MERT] is a multi-lensed camera obscura and darkroom. I was working intensively on two parallel photo-oriented tracks—room-sized camera obscura, and multiple exposure film photography—but it wasn’t until reflecting upon this project that I fully understood what I had done. I had scaled up the camera to the point where I was able to inhabit the multiple overlaid image and to experience what happens inside the camera over a period of time.
At Front Art Space in TriBeCa NYC, I built a camera obscura (a big black box, with a small hole with a lens in front, making it act as a camera. But rather than only having one lens I had three, which via mirrors on the inside all projected to the same surface where they created a multiple exposed image, in real time.
During the two weeks I was working in the camera, I had a sign on the exterior to invite passersby in and experience it. It was marvelous to see the expressions on people’s faces as we played with the framings and talked about why we see different things in these images and what the city is. A simple box with some holes and lenses enabled the audience to stop and spend time contemplating the simple gesture of looking across the street.
I had set up the back of the camera as a darkroom and started to experiment with creating silver gelatin prints inside the camera. Quickly, I realized that I now had access to the one thing I can never get to inside my camera: the photosensitive surface. I started conducting experiments along the lines of Richard Serra’s The Verb List, bending, folding, moving the surface. Besides this, I also experimented with liquid light, a photo emulsion that can be painted onto various substrates to capture images.
The project is quite complex so I have made a film describing it, see below. A special 3min cut of the film was accepted to Archishorts, an Architecture + Design Film Festival in Winnipeg, [Can], and won best analog film.