34 black covered moleskin notebooks, numbered 1-37 (two have gone missing, one was given away) held by a concrete cast of a hand with two and a half finger.

34 black covered moleskin notebooks, numbered 1-37 (two have gone missing, one was given away) held by a concrete cast of a hand with two and a half fingers.

TEXTURES

2012-Ongoing // Wherever I am

We come into contact with our environments every day, though we often shield ourselves from it, with clothes, shoes, gloves, and lately masks. I’ve always been extremely sensitive to the textures around me, later I have learned that this was likely an early sign of my autism that I didn’t understand, sensitive to how clothing felt or tags or what sitting on a bench felt like, or laying in the grass, walking barefoot. And without it being obvious to me at the time, this was what let me, in 2012, to take a small Moleskine notebook to the wall of my then live/work studio in Copenhagen and rub the paper with a wide carbon pencil, to copy, to see, to understand the texture of the wall around me. I labeled the backside of the paper: WALL / MY ROOM / AMAGER STRANDVEJ 122 / PEELING PLASTER.

This would be the first of endless textures that I have since rubbed in all of the distinct places and spaces I have found myself, from important architectural spaces, such as Luis Barragán’s studio wall, to the mundane, a Dokin’ Donuts tray in Berlin, to the personal, a family chair armrest. Continuously collecting the memory of touch, of the spaces I move through. 

The collection is currently as of May 2022, working on book 38. Books 5 & 7 have gone missing, and rather than replacing them, I like to think of them as having a life on their own. I remember that book 7 only had about 4 textures when it disappeared in a fog of moppet smoke in the Copenhagen NorthWest. And Book 17, I have gifted and don’t know what has happened to it since then.

Carbon Rubbed texture on paper, in Moleskine notebooks. Two images side by side, first image shows the rubbing of the wall in my then studio in Copenhagen the other have unidentified rubbing on the right side and the information about my studio wall

Wall
My Room
Amager Strandvej 122
Peeling Plaster

16 images in a grid, showing 16 different carbon rubbings of the textures of floors from around the world

Collections of floors from distinct notebooks

Open Moleskin notebook, showing a rubbing of the floor of Haitian artist Celeaur, done in Downtown Port-au-Prince in March of 2015

Floor [Showing Celeaur]
2. Floor Studio of Celeur; One Street Over From Grand rue PaP; Haïti
Concrete

Three photos of open moleskin notebooks, one photo have a carbon rubbing, one is a backside page with information written and one photo has both. The rubbings are of a door and a chair done in april 2019 in Washington DC

20190428
Door
Brother & Sister [Entrance]; Adams Morgan; 1770 Euclid St NW Washington DC; USA
Copper

20190428
Chair; Side Ribbons To Hold Fabric
Off The Record; The Hay-Adams; 16th NW; Washington DC; USA
Brass Ribbons + Veleur Fabric; Red

Two digital photos of moleskin notebook. First showing the cover with the number 25 on it. The second showing a carbon rubbing of a wall in Luis Barragan's house and studio in Mexico City made in August of 2016

20160804
Wall
Luis Barragán Studio: DF” Mex

Two digital photos of moleskin notebook. First showing the cover with the number 15 on it. The second showing a carbon rubbing of the handrail in the Oliveti shop in Venice Italy, designed be Scarpa

Handrail
Scarpa’s Oliveti Shop; Venice
Wood

A close up photo of the backside of a page with a carbon rubbing on it. The rubbing have made an imprint in the page from the rubbing. Text on the back describes thes rubbing, date, item, place, and material. This rubbing is from Sunnyside Queens.
Photo of open moleskin notebook showing a carbon rubbing of a Donkin Donuts tray made by Troels steenholdt Heiredal in Berlin

Tray
Donkin’ Donuts; Berlin
Plastic

Photo of three overlapping moleskin notebooks showing three different carbon rubbings of manhole covers, all rubbings made by Troels Steenholdt Heirtedal

Manhole Covers

Photograph of an open moleskine notebook with a carbon rubbing of a chain linked fence on Kent Avenue in Williamsburg Brooklyn, New York City, made by Troels Steenholdt Heiredal

Fence
Kent Av; Williamsburg NYC; USA
Metal

Two photos of moleskine notebook, first photo of cover with a number 7 on it. Second photo of a carbon rubbing of a backrest at BAR in Copehagen Denmark, rubbing made by Troels Steenholdt Heiredal

Backrest
Bar; CPH
Woodbars Covered With A Thick Blanket

Photo of open moleskin notebook with a carbon rubbing of the sidewalk at Elm and Main Street in Winsted Connecticut, bricks are engraved, centered in this rubbing is a heart. The rubbing is made by Troels Steenholdt Heiredal

Sidewalk
Elm & Main St; Winsted CT; USA
Bricks [Engraved]

Photo of a stack of 34 black moleskine notebooks all holding carbon rubbings of textures made around the world by Troels Steenholdt Heiredal

The entire stack of 34 Texture Books as of April 2022, numbered 1-37. Book 5 & 8 have been lost, while Book 17 was presented as a gift and I don’t know what happened to it since.

A Poem describing Troels Steenholdt Heiredal's work in collecting textures from around the world since 2012